I enabled or ramped up most things in the Shadows, Global Illumination, and Occlusion sections (2). By establishing pipelines between different programs I was able to fine-tune the model and the textures at any stage, by going back to the early stages of production. Final Render: Just simple lighting, AO, shadow & SSS in photoshop using render passes from zbrush. Watch the video for a better understand Tertiary details pass (adding micro details, xyz displacement). You can see the cylinder with its pivot point in the Marmoset viewport. In Marmoset, it is called for each attribute in MeshRenderable.draw() (line 2749). Basically, I'd like to isolate the lights and reflections of a scene and then put them against a pure black background on the renders.

Passes will be sent to these applications as image maps applied to a flat displaced Plane3D object. Lastly, I found a nice, high-resolution image of Mars from NASA’s awesome gallery. You could even consider UE4 if you're doing real-time, it's not setup for a portfolio rendering workflow but you can do it. Instead, I acquired characters from AXYZ Labs and slightly modified the textures. Most render elements have parameters that can be set to customize the render element or its later use in compositing software. Flare, Sharpen and Grain are set to zero. Render elements are also sometimes known as render passes.

Hey, is it possible to render something like this yet on Marmoset Toolbag 3? Marmoset Toolbag also has alpha-to-coverage support. The EXR format must be enabled in Capture Settings (ctrl +p) for the plugin to work. Final Pass – In the final pass I focus on my graph cleanup, as well optimizing it and polishing remaining maps for better output.

Render marmoset toolbag 3